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Hotel: Grantham Marriott Hotel
Reminder: Hotel reservations for the convention are booked through the concom
with the hotel booking form.
Do NOT book directly with the hotel.

Booking Deadline: December 25, 2005*

Hotel Address:
Swingbridge Road
Grantham, Lincolnshire NG31 7XT
United Kingdom

  • Phone: 44 147 6593 000
  • Fax: 44 147 6592 592
  • Hotel Website
  • Room Rates: £37.50 per person per night,
    single supplement £15 per night.

Grantham Marriott Hotel exterior

  • Hotel Direction: 64.4 km W
  • Driving Directions from Midlands Airport: Take the A453 to Nottingham then the A52 towards Grantham. Take the A1 south turn off then take the A607 turn off signposted Grantham/Melton Mowbray. You will come to a roundabout turn left and then right into the hotels carpark.
  • Driving Directions from London: Straight up the A1, turn onto the A607 towards Grantham/Melton Mowbray.  At the roundabout, take the second exit onto Swingbridge Road.
  • Estimated taxi fare from airport: £30 (one way)
  • Area airport: East Midlands - EMA

* The booking period has expired. A very few rooms being held - if you need one, please contact the liaisons as soon as possible, via email:


or snail mail:

1812Tone Booking
c/o 165 Cold Overton Road
Oakham, Rutland LE15 6NU

We apologize for omitting the postal address in PR2. If you have already booked, thank you very much! You should have been contacted by our friendly hotel liaisons to confirm sharers, room type, and the like.

For those who donít know UK hotels:

Breakfast is INCLUDED in your room cost. Also, DONíT bring any alcohol into the hotel.  British hotels arenít that keen on you bringing food in either, except in the case of particular dietary needs.

The hotel has a very nice Leisure Centre, complimentary to residents, which contains a heated (indoor) pool, spa bath, sauna, steam room, and exercise equipment.

12-Tone Technique bases the melodies and harmonies of a piece
on an ordering of the 12 notes of the chromatic scale.
The 12 tones of an octave are not centered around any single tone,
but are united by the composer's selected order of tones for a given composition.
This technique represented a clear break with the harmonic formulas of music
that had been developed during the 18th and 19th centuries.